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Underwater Fishing Photography: Tips for Success

Tips for getting it right when you're getting it wet
Tangling with a dorado off the coast of the Baja peninsula. 17mm, f/6.3, 1/1250, ISO 800 (photo: Matt Jones).

In order to be successful in any setting or locale, every photographer needs to be organized, thoughtful and have a plan in place for contingencies and situations that arise in the field. When working underwater, these needs are magnified thanks to the added gear, instrumentation and increased complexity introduced by the underwater environment and its interplay with the world above. Taking these unique considerations into account when planning your shoot -- from start to finish -- will maximize your chances of walking away with the goods.

This handful of tips should help you do just that.

Sportsmen and women gather at the Colorado Capitol in Denver to oppose efforts to transfer public lands from the federal government to the states.

When Montana Gov. Steve Bullock stood before hundreds of camo-clad activists who descended on the Montana capitol in Helena last week and said, “I don’t want Montana to be recognized for a half-baked scheme that would endanger our public lands and our economy,” the applause was thunderous.

But the “scheme” is pervasive.

Montana is but one of a half-dozen or so states entertaining legislative proposals, bills or studies that, should they succeed, could transfer ownership of federal public lands to the states for management. In Utah, the state Legislature has gone from entertaining the idea to actually passing a bill in 2012 to seize those lands, and to act on the new law by spending $2 million annually in taxpayer money to educate and litigate. Utah’s law likely won’t pass a constitutional litmus test, and the so-called “deadline” for the transfer to take place came and went on Dec. 31, 2014, without a single acre changing hands. But Utah’s law appears to have emboldened uber-conservative lawmakers in states like Idaho, Montana, Wyoming, Colorado, New Mexico and Washington, as they to try to achieve similar outcomes.

The Curse

Don't fish with me, not ever
Rain on the flats of Ascension Bay, Mexico (photo: Chad Shmukler).

Don’t fish with me.

Not ever. Not if you want to enjoy bluebird skies, calm, wind-free days and glassy flats. Not if you don’t like snow, piercing winds, sleet, hail or pestilence.

I’m cursed. And I need help. I need some French Quarter voodoo, a slump-buster of sorts. Something to get me off the meteorological/Biblical shit list.

Last week, we reviewed the P5 fly rod from Stickman Rods, with much fanfare. While that may have been the first time you heard of Stickman Rods -- a relative newcomer out of Spain and Hungary -- but there's a good chance it won't be the last. A few weeks ago, we sat down with Ákos Szmutni for some insight into Stickman's design philosophy, manufacturing principles and some insight into Stickman's decision to enter the high-end rod market.

DSLRs in underwater housings give photographers the control and versatility to capture images like this one (photo: Matt Jones).

Continuing our burgeoning series on underwater fishing photography, we're going to take a look the gear available for those of you looking to take your fishing photography below the surface. From inexpensive technology that you might already have, to mid range investments to professional underwater rigs, there's a bevy of options out there that will allow almost anyone looking to enter the world of underwater photography to get wet.

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